Thursday, 20 June 2013

Toro y Moi @ Parklife Festival's Now Wave tent, Manchester, 09/06/2013

With the calendar turning once again to festival season, and thus Manchester's ever growing Parklife festival, certain acts stood raised against a intriguing and varied bill. One of these being Toro y Moi, the alias of South Carolina resident Chazwick Bradley Bundick, why a pseudonym was needed one can only wonder. Achieving recognition in certain spheres (Rolling Stone, Pitchfork etc.) with début Causers of This, Chaz was hailed as a pioneer of an emerging genre chill-wave movement but has yet to have cross over success. His follow up Underneath the Pine offered a musician differing from his début with more emphasis on vocal melodies and introducing elements of funk to his sound destined to be the soundtrack to the connoisseur's summer. Appearing on the Now Wave stage on the Sunday of the festival Toro y Moi was a promising start to the second day which boasted a billing of diversity and quality throughout the day, commendation to Now Wave as always for enriching the quality of Manchester and the festival. Backed by a three-piece band Bundick demonstrates the strength of the songs of his most recent release Anything in Return, which demonstrates the great diversity of Chaz's song writing introducing a more pop-conscious sound on his longest release yet. In the live sphere the record is given room to grow providing a stage for unreleased tracks affording them a much deserved spotlight. “Living High” is given power through the chorus that one might miss in the sheen of the album's production standing as one of the strongest moments of the set. This added energy does however in no way detract from the subtleties of the album's production and tracks swell with as much quality live as witnessed on the record. Finishing the short set with Anything in Return's lead single “So Many Details”, Toro y Moi set the bar high for the tent's acts to follow with Chaz's reserved but confident stage presence not betraying the strength of the songs and being every bit as enticing as the previously documented performer. It seems that as his Afro grows, now at a respectable size, his following and reputation will continue to do so and soon he will receive billing and reception that reflects the quality of his performance and music.

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