Thursday, 20 June 2013

Jagwar Ma @ The Deaf Institute, Manchester, 20/06/2013


Gabriel Winterfield is infectious, present tonight with Sydney based outfit Jagwar Ma, he has obvious intent, to play some of the best new music to be heard this year and to have fun doing it. Selling out Manchester's Deaf Institute, not an easy feat when the city's student population have decamped to lick their wounds for another summer, the crowd seem no less eager than the band to comply to their manifesto. The band, completed tonight by full time member Jono Ma twiddling knobs on synth and beats duty, and touring bass player Jack who moves with such splendour that he most definitely would have still been present on stage if he was instrument free. The trio open with "What Love" a track that first appeared as b-side to early single Come Save Me but now takes precedence on both the début album Howlin and the bands live set list. The throbbing synth line's of "What Love" give birth to Gabriel's soaring vocal lines which, aided by delays and loops, sound every bit as luscious live as they do on record. The extended versions of tracks, witnessed in the non-radio friendly edits, glow and demonstrate a band who have truly embraced a diverse range of influences. The result is an act who have enough vocal melody and pop credibility to break the mainstream but with deep grooves and the oft referenced baggy Madchester beats that wouldn't be out of place curating the Warehouse Project. This marriage is recognizable on "Let Her Go" where a dab hand at lyrics reveals Gabriel confessing “I've become undone I want my lips stitched back together”. The song balloons to a chorus every bit as much Beck as it is Chemical Brothers before the inevitable, but nonetheless desirable, lyrical decay and dance beat influx. The band drops "Come Save Me" and "Man I Need" to rapturous reception before closer "The Throw" demonstrates best where the Madchester acid house comparisons come from as the flailing limbs of the band are reciprocated by the crowd. It seems lazy to solely reference the acid-house scene from the 80's when writing about Jagwar Ma because for a post-hacienda Manchester resident they seem to speak to more than just that generation and with Gabriel's boyish good looks, confident stage persona and most of all the strength of the music, we may see them adorning the walls of generations to come.

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